Coming Home at Dusk

Jeff Buckley 1994 – photo ©️ Anthony Pidgeon/Redferns

Coming Home at Dusk

How faint the echoes
of a loaded boombox
belting out its metallic grind.
Every deadbeat voice in town
would have been proud;
delirious over the sound
of a prodigal son – coming home
in combat boots
sinking under a naked sky.
Making a scene with the tide
– shaking your fist at the rain
open throated like your father;
howling blue notes East of the sun
all the way to Beale Street.

©️ Orion Foote

Byline from Blacks Point

Wesleyan Methodist church – Blacks Point

Byline from Blacks Point

Rewind to a church on the rise:
we’re making rough cuts
like Burroughs & Matisse,
getting down to business
outside on the lawn, where fishing
angels catch us unawares.
Inside, antiquated minutes bask
cover to cover – wheeled out
for a good once over –
itching for a footnote
in this time weathered collage;
our own past turned inanimate,
as though in glass plate stasis –
dripping from hallowed walls.

© Orion Foote

Brion Gysin & William Burroughs

Christmas with Emily

Emily Dickinson’s house – The Evergreens, Amherst, Massachusetts.

Christmas with Emily

It is etched on windows
that I will arrive at the meaning
of Winter – scrawled with pencil

on antique chocolate wrappers.
In feeble long hand bliss
we trace fine lines – cutting a dash

through New England snow –
the long & the short of it
keeping us at arm’s length.

Codes in invisible ink hum
in surround sound – outside
amongst pear trees & sky

the view from your room
remains in stone – singing louder
than ears ringing at midnight.

©️ Orion Foote

©️Emily Dickinson archive – Amherst College collection

A Child’s Winter Show

Photo ©️ National Library of New Zealand

A Child’s Winter Show

Your voice receded
like the sun – it fell
behind shadowed hills
with winter’s deft touch.

The hours came – left us
as slow as slow could be,
drifting over blue dodgems
and fever pitched furore.

I wanted to reach up
with frozen hands, pull
the sunglasses from your eyes
and watch the rain
crying over toffee apples.

©️ Orion Foote

Three Prologues

Photo ©️ Orion Foote “And day by day, hour by hour, with every beat of the pulse, one lost more and more of one’s qualities, became less comprehensible to oneself, increasingly abstract” W. G Sebald – The Emigrants

Three Prologues

                                i

It’s contagious –
swapping energy currencies
inside a faux Havana bar;
the grotesque & profane
peering through windows
at Mama San – a lunch hour
screwball comedy – moolah
for spicy rhetoric with a decor
that reeks of name droppings;
of circadian rhythms awakened.

                                 ii

I wonder how he coped –
a shrinking Napoleon on St Helena;
sketching cherry laurels
& japanese snowballs
beneath a deathly quiet
turned Belladonna – night’s shade
over an Atlantic wind chill;
a loose cannon echoing over stone.

                                  iii

My latest obsession
performs like a Neapolitan diva.
She likes the sound
of her own voice – as mother
used to say – holding the floor
in after hours residency.
She’s all vignettes & glissandi,
eyeballing me with intent
like Mona Lisa locked in time –
her signature tune as encore.

©️Orion Foote

Conjuring You in Daylight

Photo ©️ Orion Foote “So I went on softly from the glade / And left her behind me throwing her shade / As she were indeed an apparition / My head unturned lest my dream should fade” – Thomas Hardy

Conjuring You in Daylight

I lit up in remembrance
when you called out.
How foreignly familiar
the sound of one’s own name
when spoken by another –
it leapt through your mouth
as a linguistic curve-ball.

Once, you turned bedfellows
with skateboards into Gods,
wrapped in musky sheets –
still damp with night’s balm
and stale ginger wine.

A sleazy mannequin
stood vigil – lone voyeur,
dripping bright threads
that would brush your skin
after he would leave;
the jealous morning light
tapping at your window,
wishing its name adored.

©️Orion Foote

The Ventriloquist

“Better was it to go unknown and leave behind you an arch, a potting shed, a wall where peaches ripen, than to burn like a meteor and leave no dust” – Virginia Woolf

The Ventriloquist

It’s contagious –
all this spirit writing.
Voices from the other side
breathing down my neck
every five minutes – buttoned up
in starch & lace – lips pursed,
sharing a private joke in silence.

The familiar surge
of unexpurgated words,
exploding like glass
inside the cranial suite –
overturning tables
like Jesus on a bender;
hammering home the point
and he doesn’t care who knows it.

This is where I leave them,
squabbling with themselves
in gibberish – making ashes
from their own kind
behind an invisible line –
past & present tenses
indifferent to one & all,
like a winter lawn at night.

©️Orion Foote

Arriving on Set

Photo ©️ Orion Foote

Arriving on Set

Wild perennials
sing into a blue sweetness
– hard pressed for words
to describe this mettle;
this ever present light
that sings true in time.

To whisper amongst
Japanese Snowballs on parade
– a rampant sun
breathing down my neck
in morning’s renewal;

voices rising inside me
like a Kabuki chorus in flight.

©️Orion Foote

Emily Dickinson’s writing desk – The Evergreens, Amherst, Massachusetts.
Vibernum Plicatum

Cognizance

Photo ©️ Orion Foote – ‘Then, during the inferno, we too from the other side of the barbed wire…we too looked at the snow and at God. That’s how God is; an infinite and stupefying form – beautiful, lazy and still with no desire to do anything’ – This Must Be the Place: written and directed by Paolo Sorrentino.

Cognizance

It was never in my rider:
these plumes of damp mist
with their bluish grey drift
– poised like a spiteful tsunami.
An encore of unknown dread,
when as a child, my eyes
burned beneath horned prongs
of ancient trees – outstaying
the dead on a seared hilltop.
These things I knew – long before
human nuance or pageantry,
or of tiptoed paths cutting
a dash to hidden ways.
On that porch, I knew in advance
what you could only guess at;
fumbling for your lines as dusk fell.

©️ Orion Foote

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