He says it’s like sculpting
phrases for the tone deaf,
or throwing out shadows
over hard alabaster
for those short of sight.
It’s also a rigmarole;
all this dodging and burning,
being in two minds over
the trajectory of light
or wrestling with arrangements
before signing off
on the key signature.
So it’s back to the
overlapping of acrid chemicals
& remixing the mix.
Knocking back shots as still
life, while slurring cadences
until tones distill.
Until the light leaks in.
©️Orion Foote, 2021